Lines and the City

Hardcover, 72 pages, full color

12.8” x 11”

2011

Reviewers Comments for Lines in the City

 You've done a really good job of matching prints. The work itself is really strong. I've seen so many urban landscapes, they get kind of boring, but I really like yours.  You’re really thoughtful and the combinations are really interesting, really clean, not a lot of clutter. I like what you're trying to do, it looks really good.

Kevin Longino, Photography Dealer

 [Stultz is] dealing with formal issues like repetition, rhythm and design, angles, point of view, but has integrated them.  It's very intriguing.  And really well done with perspective correction. I think that's where the separation comes between the formal and the aesthetic and technical at the same time because [he’s] made conscious decisions to have this continuity.

 What I see here is [work similar] to Edward Burtynski except with architecture. I see the same intelligence that he uses with his passion for landscape and the environment and all those issues and taking a stepped back approach, sort of the Atget approach of approaching something at varying levels of engagement, and the wide view that you're giving me of this massive scale intervention in the landscape. Very interesting work. I didn't think I would like this as much as I do. It's very compelling.

P. Elaine Sharpe, Curator, O’Born Contemporary Gallery